The first exhibition at the new moholinushk artspace of the Beyond the Frame trilogy focuses on a recurring theme in moholinushk's work: the relationship between humans and nature.
The Beauty of Nature does not see nature as a backdrop - it treats it as a resonance space. The three artistic positions offer different entry points - poetic, sensuous, and formally rigorous. Together they pose the question: What do we see when we see nature?
moholinushk forms the quiet centre of this constellation. Her drawings and colour fields echo natural rhythms - not as imitation, but as an inner way of seeing. Her works are calm, meditative, porous.
The Beauty of Nature does not ask what nature is, but what we see in it - and what that reveals about us.
Winnie Huang, born in China, raised in Australia, now based in Europe, works with sound, gesture, video, and performance. At this year's Lucerne Festival, she was invited as artiste étoile by artistic director Michael Haefliger - enchanting the audience with her spectacular performances.
In The Beauty of Nature, she presents four new video works that unfold a space between movement and stillness, perception and transformation.
Ekrem Yalçındağ (*1964 in Göblasi/Turkey), one of Turkey's leading representatives of conceptual abstraction, combines floral base forms with geometric precision. In his new series Natures, he merges woodcut, screen print, and oil painting - all on canvas. His works touch the natural in the serial - and build a bridge between ornamental tradition and contemporary conceptual art.
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